Gold Dust — A Chapter

Chapter Five

Palm silhouettes against antique gold sky — oil and gold leaf on linen

A Series of Paintings

Gold Dust

Where memory slowly turns into light.

Some places become quieter after you leave them. Not because they disappear, but because memory slowly lets go of their details.
What remains is light. Years after studying the paintings of the Dutch East Indies, I realised it wasn't their stories that had stayed with me. It was their atmosphere. Their golden stillness.
These works are painted from that distance. Using antique gold, Payne's Grey, and as little as possible—allowing memory to do what memory does best:
leave only what matters.

Mountain landscape with palm trees, antique gold ground, Payne's Grey monochrome — oil and gold leaf on linen

I. Bingin

2019  ·  Oil and gold leaf on linen

I thought I was painting another wave. Looking back, it was the first painting in Gold Dust. Until then, gold had only appeared in fragments. Here, it stopped being an accent and quietly became the world the ocean belonged to. I wasn't trying to leave blue behind. I simply found myself following the light.

Gold is not a colour. It is a direction.

From the studio journal, March 2023

II. High Tide

2019  ·  mixed media

Memory doesn't preserve landscapes. It preserves the feeling of wanting to return.
Balangan, 2012

III. After Noon

2020  ·  Acrylic, gold leaf, and beeswax on linen  ·  120 × 150 cm

Wasn't looking for another landscape. Was looking for the feeling that made me stop walking.

Island forms dissolving into gold and dark pigment
Dark cliff face and palm silhouettes against gold ground
Coastal landscape with palm trees, gold leaf sky meeting deep blue ocean

IV. 6 A.m. at Central Java

2020  ·  Oil and gold leaf on canvas

Modern world is a strange place. Before going anywhere, you could virtually ride the streets with google maps, look some photos via instagram, listen for stories of people, who already visited it and create kinda image of this place.
Sometimes expectations are too high.
And sometimes reality beats them all.
I heard and read lots of thing about Java. Almost everyone, who i spoke told that its super inhabited, poor, unsafe, messy..
My close friend even described it as "The pain of soul".
One moment I decided to feel that pain, just to see another kind of reality.
And standing in the heart of most inhabited and most explosive island in the World, the only feeling, overloading me, is harmony.
With people around, with nature, with world and with myself....even tho my self condition wasn't perfect at all.
At that very moment I thought about phrase heard somewhere - "Bali is the morning of the World". With all love I have to this magic island, it's not Bali, it's Java

Emerald wave curling, gold leaf accents, tropical coastline — oil on canvas
A solitary figure inside a breaking wave, gold and teal, oil on canvas

VI. Morning Glory

2021  ·  Acryliс on canvas  ·  90 × 120 cm

Sumbawa wakes quietly.
Before the heat. Before the roads fill with people. Before the island remembers the day.
For the few minutes, the light belongs only to the water.

Mountain landscape with palm trees, antique gold ground, dark silhouettes — oil and gold leaf on linen

VII. Still Here

2023  ·  Oil, gold leaf, and pigment on linen  ·  100 × 140 cm

Some paintings begin in the studio. This one began on a cliff above Indian Ocean.
Single Fin, Uluwatu
Dance Me To The End Of Love ( Dude Skywalker Latin Lover Edit)

Behind the canvas

Small moments, details, and following the light.

The light kept moving inland.
So did I

Continue to Higher Ground

Next Chapter

Higher Ground
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